Review, Montage: Cinema's Only Invention, by Jacques Aumont
DOI:
https://doi.org/10.33064/6ais4571Keywords:
Film montage, film theory, image theory, film history, audiovisualaesthetics.Abstract
The book we are reviewing, "Montage: the only invention of cinema" (2020) by JacquesAumont, published in Spanish by La Marca editora, is an essayistic text in five partsthat offers a critical genealogy on the invention, imposition and renovation of filmmontage in order to question the current lack of theorization in the face of itscontemporary praxis. As a warning, it considers digitalization and depersonalization asbase phenomena to rethink the practice of montage in the face of the drifts ofcontemporary cinema and audiovisuals.