Review Montage: Cinema's Only Invention, by Jacques Aumont
DOI:
https://doi.org/10.33064/6ais4571Keywords:
Film montage, film theory, image theory, film history, audiovisual aestheticsAbstract
The book we are reviewing, Montage: the only invention of cinema (2020) by JacquesAumont, published in Spanish by La Marca Editora, is an essayistic text in five partsthat offers a critical genealogy on the invention, imposition and renovation of filmmontage in order to question the current lack of theorization in the face of itscontemporary praxis. As a warning, it considers digitalization and depersonalization asbase phenomena to rethink the practice of montage in the face of the drifts ofcontemporary cinema and audiovisuals.
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Copyright (c) 2023 Armando Andrade Zamarripa, Salvador Plancarte Hernández
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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