Forest of Malinches. Notes on a performative video installation by Patricia Henríquez

Authors

  • Sandra Jessica Cruz Ramírez Autonomous University of Aguascalientes, University of Guadalajara and Western Institute of Technology and Higher Education, Mexico. https://orcid.org/0000-0002-3645-8422

DOI:

https://doi.org/10.33064/6ais4414

Keywords:

Patricia Henríquez, video installation, performance, liminal cinema, audiovisual archive, Malinche

Abstract

Through a creative essay, Patricia Henríquez's performative video installation, Kuautlan (2021), is analyzed in the light of Erika Fischer-Lichte's contributions on the aesthetics of the performative. Held at the Chopo University Museum within the framework of the Malinche, Malinches 2020/2021 project convened by La máquina del teatro. The work consists of a plastic intervention by the artist on the projection of an audiovisual archive composed of testimonies of hundreds of Mexican women who, by sharing their daily experiences, resignify the historical figure of La Malinche and build a collective biography against the patriarchal hegemonic discourse that places women on the margins of history.

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Published

2023-07-27

How to Cite

Cruz Ramírez, S. J. (2023). Forest of Malinches. Notes on a performative video installation by Patricia Henríquez. Arte, Imagen Y Sonido, 3(6), 18–32. https://doi.org/10.33064/6ais4414

Issue

Vol. 3 No. 6 (2023): ARTE IMAGEN Y SONIDO

Section

Dossier

License

Copyright (c) 2023 Sandra Jessica Cruz Ramírez

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The copyright of the articles rests with the authors, who by publishing them agree to do so under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license.

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