Intermedia hypertextual documentary: Godard and Gallupo

Abstract

Filmmaker Jean Luc Godard passed away recently in 2022, we put forward the study of his  Histoire(s) du Cinema and Gustavo Gallupo's piece Sweetheart as hypermedia and hypertext documentaries. Starting at the index definition of documentary and the will of truth by Focault we propose on this investigation about poetics in file appropriation and the interrelationship between literature, paint, philosophy and cinema, the rupture of I.R.M. Even though we start with proyection as fundamentals of cinematography we propose plasmatic as a new form of access to video in actual times. Keywords: video, appropriation, file, index, plasmatic