Vaporwave: musical memes and audiovisual culture on the Internet
DOI:
https://doi.org/10.33064/4ais4033Keywords:
Vaporwave, music memes, audiovisual culture, Internet, Remix theoryAbstract
This article analyzes the musical phenomenon called Vaporwave from the point of view of remix theory, both in the musical and audiovisual aspects, as well as its relationship with visual culture and contemporary aesthetic forms. Vaporwave is a musical and audiovisual phenomenon of the 21st century, which emerged more than 10 years ago. It is a subgenre of popular electronic music, which remixes fragments of musical pieces from the 1980s and 1990s, reaffirming its decadence or the passage of time through editing and sound filters. In the same way, Vaporwave uses a visual aesthetic that mixes elements of the past and present, imitating the decline of capitalism and cyberpunk. Vaporwave is considered to share elements of reproducibility, intertextuality and fecundity similar to that of internet memes.
Downloads
Metrics
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Luis Álvarez Azcárraga/Meztli Chavarría Soria
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The copyright of the articles rests with the authors, who by publishing them agree to do so under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license.