The role of the script in immersive audiovisual narratives in 360° format
DOI:
https://doi.org/10.33064/4ais3716Keywords:
immersive cinema, 360° cinema, new narratives, Film scriptAbstract
This article addresses the problems faced by 360° immersive cinema to be scripted, since there is still no script model for its production. Starting from the traditional script format, a comparison is made with the 360° narrative and its possibilities and implications with the cinematographic language.
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Copyright (c) 2022 Verónica María Marín Cienfuegos
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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