Female voices: peasant women in African cinema. Listen, translate and talk about Selbé et tant d'autres by Safi Faye

Authors

DOI:

https://doi.org/10.33064/9ais6971

Keywords:

African peasant women, dignifying women's work, audiovisual representation of women, counter-hegemonic views

Abstract

The following text analyses the medium-length film Selbé et tant d'autres (1983) by the Senegalese filmmaker and ethnologist Safi Faye, which explores a counter-hegemonic look at the representation of female bodies in cinema and constructs its audiovisual narrative from an «emic/etic» perspective where the author herself oscillates on the border of observer/observed to situate herself as part of the context and the characters she shows. And contrary to Hito Steyrl's notion of «image-spam» - which responds to a capitalist logic of constructing aesthetic references aimed at promoting the material and immaterial consumption of invented needs - Faye articulates the image of the subjects represented through the dignification of their daily activities and distances herself from the Eurocentric narrative of showing ‘the African’ as exotic or savage and the African woman within colonialist parameters.

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Author Biography

Estefanía Escobar Chávez, Investigadora independiente

Estefanía Escobar Chávez is a graduate of the Academia de la Danza Mexicana de INBAL, the Colegio de Letras Modernas de la UNAM and the Escuela Nacional de Antropología e Historia. She is currently pursuing a Master's degree in Art Studies at the Universidad Iberoamericana and is doing a research stay at Université Lumière Lyon 2 in France. Her academic interests are the Postcolonial Studies in the area of Literature, Anthropological Theory of the Ontological Turn and Visual Culture Studies with emphasis on African cinema of the second half of the twentieth century as well as Visual Anthropology.

References

Comolli, Jean-Louis (2009), “Malas compañías: documento y espectáculo”. Cuadernos de cine experimental 1(3), 76-89. https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/CuadernosDeCine/article/view/3978

Comolli, Jean-Louis. “Notas sobre el ‘estar juntos’”, en Cuerpo y cuadro. Cine, ética y política. Buenos Aires: Prometeo, 2015.

Didi-Huberman, Georges. Pueblos expuestos, pueblos figurantes. Manantial, Buenos Aires, 2014.

Martínez Bonilla, Mariana. 2023. «Pensar (con) Las imágenes. Lecturas Reparativas E imágenes-Palimpsesto En November (2004) De Hito Steyerl». Arte Imagen y Sonido 3 (6):1-17. https://doi.org/10.33064/6ais4394

Marx, Karl. El Capital. Siglo XXI, México, 1975.

Nene Aïssatou Diallo. “Safi Faye: Selbé et tant d’autres”. [Consultado el 3 de mayo de 2024]. https://africanfilmny.org/articles/safi-faye-selbe-et-tant-dautres/

Ramos, María Marcos. “La mirada femenina a cine etnográfico documental. Reassemblage (Trinh T. Minh-ha, 1982)”. Revista de estudios feministas. Vol. 29. No. 1. Universidade Federal de Santa Catarina. 2021.

Steyerl, Hito. “Los spam de la tierra: desertar de la representación” en Los condenados de la pantalla. Buenos Aires: Caja Negra, 2016.

Steyert, Hito. "Incertidumbre documental". Re-visiones 1, n.º 1 (2011): 1–6.

«Safi Faye », [Consultado el 3 de agosto de 2024].

https://ww-article-cache-1.s3.amazonaws.com/en/Safi_Faye

“Selbé et tant d’autres | الممكنة (Permissible Dreams)”.[Consultado el 3 de mayo de 2024]. https://archiv.hkw.de/en/programm/projekte/veranstaltung/p_210291.php

“Selbé et tant d'autres”, [Consultado el 3 de mayo de 2024].

https://www.film-documentaire.fr/4DACTION/w_fiche_film/10230_0

Published

2025-01-17

How to Cite

Escobar Chávez, E. (2025). Female voices: peasant women in African cinema. Listen, translate and talk about Selbé et tant d’autres by Safi Faye. Arte, Imagen Y Sonido, 5(9), 74–84. https://doi.org/10.33064/9ais6971

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Section

Academic or creative essay